
Rosie Crerar for “Nocturn’ Jody has insomnia. Almost every night she leaves her sleeping husband...
Read MoreRosie Crerar for “Nocturn’ Jody has insomnia. Almost every night she leaves her sleeping husband...
Read MoreChristine Entwisle for ‘Our Ordered Lives’ Escaping from the horror of her own actions, a young woman i...
Read Morelead image of post is Best Composer winner Victoria Wijerante with her Tatty Devine awards necklace Congraulations to all our award winners, announced...
Read MoreIt feels like a life time of preparation when you’re putting on a festival, and then it’s all over, leaving you with an emotional hangover...
Read MoreWe weren’t prepared to feel quite so bereft after our final night of screenings yesterday. Having spent the last three evenings in such terrific...
Read MoreAfter a very promising first night, we were thrilled to see the hoards come pouring back for our second evening. With a good three hours worth of shor...
Read MoreRed wine, good company and some fantastic mind-feeding films - what more could we have asked for on our Opening Night? UnderWire’s second ...
Read MoreHow do women right now look, act and perform in music videos – from the cultural mainstream to the indie underbelly – and how much does it really ...
Read MoreDoes being a woman on both sides of the camera compromise or strengthen the feminist agenda in your work? Are you the subject, object, or the collabor...
Read MoreTo celebrate Underwire’s introduction of a competition for female film writers, the festival presents an interactive workshop for aspiring critics, ...
Read MoreThe Underwire Awards 2011 will take place on the evening of Saturday 26th November. For Underwire, awards should be more than having something shiny f...
Read MoreOne of the great perks of running UnderWire is getting to meet so many interesting and creative people that we may never have otherwise crossed-paths ...
Read MoreThis year, UnderWire launched a new awards category to recognise and encourage the work of women who were writing about film journalistically, but who...
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